ABSTRACT

Dance and architecture shared the same concept and disciplines of creativity with a special relationship within them.  Both of the disciplines use and compose space into a medium of creativity.   “Architecture is made by design and by use” (Bill, 1998, p.11).  It simply defines architectural experience generated by the movement of human body over the space and times in order to create the spatial qualities. Align with the interpretation in dance, the person who acts as audience does not as much as physical works but more on experiencing through rhythmic movement presented by performers.  Relationship in between dance and architecture are being determined in such by and for the body of every single individual.

There are many types of consideration in evolving effectiveness of interactive spaces, such as users, contexts, functions and phenomenological aspects which consists of social and environmental conditions.  Responsive environments are the most creative innovation to be integrated into the design to achieve the interactive outcomes.  By the definition, spaces that are able to interact and engage with people who utilize them, pass through them or create by them and even to have in a very short space of time without realizing as it become part of the design.

An advance conceptual design approach often creates a fine line between art and architecture.  Technologies involved, like sensing, computation and display are continuously evolving.  For instance, prototype-based approach is crucial to avoid inconsistent solutions.  Rapid development of technology in almost everything provides a platform for artistic projects to explore and relate the domains mind and body adjusting to the environmental context.