Dance and
architecture shared the same concept and disciplines of creativity with a
special relationship within them. Both
of the disciplines use and compose space into a medium of creativity. “Architecture is made by design and by use”
(Bill, 1998, p.11). It simply defines
architectural experience generated by the movement of human body over the space
and times in order to create the spatial qualities. Align with the interpretation in dance, the person who acts as audience does not
as much as physical works but more on experiencing through rhythmic movement presented by
performers. Relationship in between dance and architecture
are being determined in
such by and for the body of every single individual.
There are many types of consideration in evolving effectiveness of
interactive spaces, such as users, contexts, functions and phenomenological
aspects which consists of social and environmental conditions. Responsive environments are the most creative
innovation to be integrated into the design to achieve the interactive
outcomes. By the definition, spaces that
are able to interact and engage with people who utilize them, pass through them
or create by them and even to have in a very short space of time without
realizing as it become part of the design.
An advance conceptual design approach often creates a fine line between
art and architecture. Technologies
involved, like sensing, computation and display are continuously evolving. For instance, prototype-based approach is
crucial to avoid inconsistent solutions. Rapid development of technology in almost
everything provides a platform for artistic projects to explore and relate the
domains mind and body adjusting to the environmental context.
